I just now posted this review on Amazon.com. It's about David Hutchens' new book about stories in organizations, Circle of the 9 Muses: A Storytelling Field Guide for Innovators and Meaning Makers. I first heard about David's book project two years ago, and I've been an enthusiastic supporter ever since. I'm excited to see how well the book turned out. Five-star recommendation.
Here's the review:
Full disclosure: I work in the story field; I was one of the people
David talked to while writing his book; I promised him I'd write a
Things I like most about "Circle of the 9 Muses":
1. It's a balanced look at the story universe.
If you start looking at what you can do with stories, you will find lots of information about what you can do by TELLING stories, usually to convince people to buy or do something. There's nothing wrong with that! But telling stories only scratches the surface of what you can do with stories. LISTENING to stories is just as amazing, if not more so, and it's not well represented in books and other information. I was excited to see that "Circle of the 9 Muses" gives storytelling and story listening/sharing roughly equal time. That makes the book uniquely useful if you want to learn about a wide range of possibilities in story work.
2. It draws on collective wisdom.
David is an experienced practitioner of story work, and he could have written a book using just what he knows. But he didn't do that. He reached out to dozens of people in the story field and drew from all of their experiences as well as his own. So what you're getting in this book is a unique distillation of LOTS of great ideas about doing things with stories. You could think of it as a story-work sampler. Of course, there are aspects of story work David doesn't cover. I would have liked to have seen exercises drawn from narrative therapy and participatory theatre, and lately I've been learning more about narrative coaching, where there is even more to discover. But those are small omissions, and this book will definitely get you started on the right foot.
3. It's a great big box of chocolates.
The most exciting thing about David's book, to me, is that every one of its eighteen chapters gives you real methods you can use right now. For the chapters with methods I know well, I can vouch that the steps David describes work well (and aren't hard to make work well). The chapters I don't have direct experience with I'd like to try. That's saying a lot, given that I've been working in this area for sixteen years. If the chapters in this book seem like they are worth trying, you're right: they are worth trying. Now you know how.
4. It's a great big box of CHOCOLATES.
I always say that story work is bigger on the inside than the outside. From the outside, it looks small, silly, useless, just another fad. But when you come inside, you can see a whole universe of meaning and relevance. David's book does an excellent job of drawing you inside the world of stories by communicating the excitement of story work - without promising that it will always be fast, easy, or perfect. In the process he lets out our most important secret: story work is important, ancient, and powerful.
In summary, I can definitely recommend "Circle of the 9 Muses" as an inspiring, practical, useful introduction to story work.
There were two things I didn't mention in my Amazon review, because I don't think people reading Amazon reviews would find them useful.
The first thing is that I was ever so slightly disappointed to see that David forgot to fix an issue with the "Twice-Told Stories" chapter. Evidently Paul Costello and I developed pretty much the same story exercise around the turn of the century. I knew nothing about this parallel work until I saw David's manuscript about a year ago. I had described the "twice-told stories" exercise in my book's first edition in 2008. Nobody ever told me that anything similar existed, or I would have been sure to mention it in my book revision.
I'm not surprised that we developed a similar exercise, because the exercise fits very well into the ways people naturally exchange stories. It did take my colleagues and me a year of research and testing to develop the exercise, and I assume something similar happened to Paul and his colleagues. The two exercises are not identical because our purposes were not identical, but they are close.
So why does Circle of the 9 Muses use my name for someone else's exercise? Apparently David talked to Paul first, but he also remembered reading about the exercise in my book, and he put the name of the exercise from one place together with its history from another place. I noticed this about a year ago and pointed it out to David. He told me he would change the chapter to say that Paul and I independently derived very similar exercises, and that the chapter name comes from my version. Apparently in the rush of publication he forgot to do that. I can understand that; I've done similar things myself. It takes a lot of careful attention to draw together the work of many people like David did. I don't think anybody could pull off a task like that without forgetting a few details.
I don't mind if people think Paul Costello was the only one to develop that particular exercise. I don't need to own it; story work belongs to everyone, and lots of similar ideas have been independently derived. My concern is that it might be confusing to my book readers to find another book with the same exercise attributed to someone else. I wouldn't want people to think I stole the exercise or lied about my work on it. I have added a mention of Paul's method to the errata page on my book's web site, just to make things clear.
The second thing I didn't say in my Amazon review is, even though I loved David's book, it did point out to me how terrible of a job we story workers have been doing on keeping up with each other. I should not be finding out about the work of other people in the same field by reading a book about it. I did want to participate in the Golden Fleece conferences when they were happening, but at the time I was a low-level employee/contractor at IBM and had no power to choose my own destinations. By the time I started my independent practice and could have participated in meet-ups (theoretically), the Golden Fleece was long gone. I did participate in some of the Worldwide Story Work phone-in sessions, but I don't believe those are still going on.
Lately some colleagues and I have been trying to create a community around PNI with the new PNI Institute. Our monthly Google hangouts are slowly gaining traction, and that's great, but I'm not sure if everyone who does any kind of story work wants to join us there (though you're welcome of course). In fact, our next hangout, on January 8th, is a repeat call about PNI as it relates to the world of story work. (Calls are always the second Friday of the month, at 10am New York time.)
How about a new discussion about bringing together people who do every kind of story work?